{"id":21277,"date":"2026-06-26T10:13:59","date_gmt":"2026-06-26T13:13:59","guid":{"rendered":"https:\/\/impactocastex.com.ar\/?p=21277"},"modified":"2026-06-26T10:13:59","modified_gmt":"2026-06-26T13:13:59","slug":"la-noche-en-que-una-bomba-estallo-en-el-teatro-colon-y-sembro-el-panico-en-plena-gala","status":"publish","type":"post","link":"https:\/\/impactocastex.com.ar\/?p=21277","title":{"rendered":"La noche en que una bomba estall\u00f3 en el Teatro Col\u00f3n y sembr\u00f3 el p\u00e1nico en plena gala"},"content":{"rendered":"
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En 1910<\/strong>, Buenos Aires quer\u00eda mostrarse al mundo como una capital moderna y pr\u00f3spera durante los festejos por el Centenario de la Revoluci\u00f3n de Mayo<\/strong>. En ese escenario, el Teatro Col\u00f3n<\/a><\/strong>, inaugurado en su locaci\u00f3n actual apenas dos a\u00f1os antes, era el gran s\u00edmbolo de una Argentina que buscaba consolidarse entre las principales potencias culturales.<\/p>\n<\/div>\n

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Sin embargo, detr\u00e1s de la postal de lujo, el pa\u00eds atravesaba un clima de fuerte conflictividad social. Las organizaciones obreras reclamaban mejores condiciones laborales, cuestionaban la Ley de Residencia y denunciaban la persecuci\u00f3n contra dirigentes sindicales. El gobierno de Jos\u00e9 Figueroa Alcorta<\/strong> hab\u00eda respondido con el Estado de sitio y una creciente presi\u00f3n sobre grupos socialistas y anarquistas.<\/p>\n<\/div>\n

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En ese contexto lleg\u00f3 la noche del domingo 26 de junio de 1910<\/strong>. Sobre el escenario del Col\u00f3n se representaba Manon<\/em>, la c\u00e9lebre \u00f3pera<\/a> de Jules Massenet <\/strong>de cinco actos y seis escenas que cuenta la historia de una pareja de enamorados.<\/p>\n<\/div>\n

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En los palcos y la platea se mezclaban pol\u00edticos, familias tradicionales y amantes de la m\u00fasica acad\u00e9mica. Nadie imaginaba que aquella funci\u00f3n terminar\u00eda convirti\u00e9ndose en uno de los episodios m\u00e1s impactantes de la historia del teatro.<\/p>\n<\/div>\n

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A las 21.50<\/strong>, cuando todav\u00eda el p\u00fablico se estaba acomodando, una explosi\u00f3n sacudi\u00f3 la sala. El artefacto deton\u00f3 en la fila 14<\/strong> de la platea, entre las butacas 422 y 424.<\/strong> Por una coincidencia que evit\u00f3 una tragedia mayor, los asientos estaban vac\u00edos. Aun as\u00ed, las esquirlas alcanzaron a espectadores cercanos y el estallido provoc\u00f3 escenas de desesperaci\u00f3n. <\/p>\n<\/div>\n

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Los gritos comenzaron a multiplicarse mientras cientos de personas intentaban alcanzar las puertas de salida al mismo tiempo.<\/p>\n<\/div>\n

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La ni\u00f1a Susana Escalada, que ocupaba la butaca 420, sufri\u00f3 heridas en el rostro, mientras que Lucrecia Escalada, sentada en la 418, recibi\u00f3 un corte provocado por el impacto de un bal\u00edn, seg\u00fan relat\u00f3 la revista Caras y Caretas<\/em>. Otros espectadores tambi\u00e9n resultaron heridos por esquirlas, golpes y cortes durante la desesperada huida<\/strong>. Afuera, una multitud de curiosos comenz\u00f3 a reunirse frente al teatro para intentar entender qu\u00e9 hab\u00eda ocurrido.<\/p>\n<\/div>\n

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En medio de la confusi\u00f3n ocurri\u00f3 una escena que qued\u00f3 registrada en las cr\u00f3nicas de la \u00e9poca. Para evitar una estampida a\u00fan mayor, el teniente de bomberos Nicanor Vi\u00f1as pidi\u00f3 a la orquesta que interpretara el Himno Nacional<\/a>, <\/strong>mientras la soprano Rosina Storchio<\/strong> y Giuseppe Anselmi<\/strong>, bajaban del escenario.<\/p>\n<\/div>\n

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Mientras tanto, m\u00e9dicos y practicantes de la Asistencia P\u00fablica ingresaban al edificio para atender a los heridos. Las ambulancias de entonces, carros tirados por caballos, comenzaron un incesante ir y venir por la entrada destinada a los carruajes.<\/p>\n<\/div>\n

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La investigaci\u00f3n arranc\u00f3 de inmediato. Algunas versiones sosten\u00edan que la bomba hab\u00eda sido colocada debajo de las butacas. Otras afirmaban que hab\u00eda sido arrojada desde el para\u00edso, el sector m\u00e1s popular y econ\u00f3mico del teatro. <\/p>\n<\/div>\n

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La polic\u00eda detuvo a cerca de un centenar de personas<\/strong> durante las horas siguientes. Sin embargo, la mayor\u00eda recuper\u00f3 la libertad por falta de pruebas. Dos anarquistas, Juan Romanoff y Salvador Denuncio<\/strong>, quedaron demorados, aunque nunca pudo demostrarse su participaci\u00f3n en el atentado. De hecho, los autores materiales jam\u00e1s fueron identificados<\/strong>.<\/p>\n<\/div>\n

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Tras el atentado, el gobierno impuls\u00f3 la Ley de Defensa Social<\/strong>, que reforz\u00f3 el control sobre el anarquismo, restringi\u00f3 el ingreso de extranjeros considerados peligrosos y ampli\u00f3 las facultades del Estado para detener y expulsar militantes obreros.<\/p>\n<\/div>\n

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M\u00e1s de un siglo despu\u00e9s, el atentado permanece como una de las p\u00e1ginas m\u00e1s oscuras del Teatro Col\u00f3n y un reflejo de las profundas tensiones que atravesaban al pa\u00eds. <\/p>\n<\/div>\n

Adblock test<\/a><\/strong> (Why?)<\/a><\/p>\n

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En 1910, Buenos Aires quer\u00eda mostrarse al mundo como una capital moderna y pr\u00f3spera durante…<\/p>\n","protected":false},"author":1,"featured_media":21278,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[88],"tags":[],"class_list":["post-21277","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-espectaculos"],"yoast_head":"\nLa noche en que una bomba estall\u00f3 en el Teatro Col\u00f3n y sembr\u00f3 el p\u00e1nico en plena gala -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" 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