{"id":19609,"date":"2026-06-04T15:16:18","date_gmt":"2026-06-04T18:16:18","guid":{"rendered":"https:\/\/impactocastex.com.ar\/?p=19609"},"modified":"2026-06-04T15:16:18","modified_gmt":"2026-06-04T18:16:18","slug":"experiencias-inmersivas-tension-espejismos-y-un-retrato-imposible-en-un-recorrido-gratuito","status":"publish","type":"post","link":"https:\/\/impactocastex.com.ar\/?p=19609","title":{"rendered":"Experiencias inmersivas: tensi\u00f3n, espejismos y un retrato imposible en un recorrido gratuito"},"content":{"rendered":"

\u201cEste es un proceso en tiempo real: lo que est\u00e1 pasando ac\u00e1 no es una pel\u00edcula. Es una b\u00fasqueda hecha por la inteligencia artificial\u201d<\/b>, dice Gabriel Valansi<\/b><\/a>, parado en el centro de la sala oscura. A su alrededor, un flujo de peque\u00f1os puntos de luz circula sin parar. Es el registro del vano intento de retratar un p\u00edxel<\/b>, la unidad m\u00ednima de informaci\u00f3n visual que se mueve en esa pantalla envolvente. <\/p>\n

\u00bfDe qu\u00e9 est\u00e1 hecho el arte? Historias de cristos en ambulancia, cantos reveladores y pigmentos que hablan bajo el microscopio<\/a><\/p>\n

\u201cEl p\u00edxel no tiene materia. No tiene cuerpo, no tiene masa, no tiene sombra, no refleja la luz. Y, por ende, no se puede fotografiar\u201d, explica este artista en Fundaci\u00f3n Andreani<\/b>, donde rinde homenaje a la fotograf\u00eda en el bicentenario de su nacimiento<\/b>. <\/p>\n

\"A<\/p>\n

Lo hace con la instalaci\u00f3n audiovisual e inmersiva <\/b>Unpunkt<\/b><\/i>, t\u00edtulo que en alem\u00e1n significa \u201cno punto\u201d, y que aborda el arco evolutivo \u201cque va desde la g\u00e9nesis de la imagen anal\u00f3gica hasta el abismo virtual que propone la b\u00fasqueda de la unidad digital\u201d. Incluye adem\u00e1s retratos de un grano de plata<\/b>, componente esencial del soporte fotogr\u00e1fico, realizados con un microscopio electr\u00f3nico de la UBA<\/b>.<\/p>\n

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A la manera del Aleph concebido por Borges<\/b><\/a>, la peque\u00f1a esfera tornasolada que contiene todo el universo, un holograma gira sobre s\u00ed mismo para evocar este peque\u00f1o y poderoso elemento. \u201cLa fotograf\u00eda lleg\u00f3 hasta donde pudo, y nos leg\u00f3 doscientos a\u00f1os de representaci\u00f3n del mundo. Hoy, la imagen perfecta de una mesa no necesita la mesa\u201d<\/b>, agrega Valansi, interesado en indagar \u201cqu\u00e9 pasa con la informaci\u00f3n cuando deja de pertenecer al rango de la materia\u201d<\/b>. <\/p>\n

\"Retratos<\/p>\n

As\u00ed como este experto en jugar con los l\u00edmites de la fotograf\u00eda apela a la tecnolog\u00eda para desafiar nuestra percepci\u00f3n, Ernesto Ballesteros<\/b><\/a> <\/b>crea un Espejismo<\/b><\/i> inspirado en la botella de Klein<\/b>. En esa superficie continua que carece de interior y exterior se bas\u00f3 este artista para construir un a suerte de laberinto con pasillos alfombrados que no conducen a ning\u00fan lado<\/b>, y ventanas con dibujos que representan estructuras intrincadas del cuerpo humano.<\/p>\n

\"Ernesto<\/p>\n

\u201cVivimos en un mundo en el cual hay hasta once dimensiones<\/b>, pero todas las que no percibimos est\u00e1n plegadas sobre s\u00ed mismas<\/b> en una dimensi\u00f3n muy peque\u00f1a. Eso convierte a nuestro punto de vista del mundo<\/b>, a nuestro mundo, una situaci\u00f3n que tiene que ver con la escala<\/b>\u201d, observa Ballesteros, que logr\u00f3 convertir un concepto matem\u00e1tico en un recorrido que sorprende a p\u00fablicos de todas las edades. <\/p>\n

\"Ballesteros<\/p>\n

\u201cCuando hay pocos elementos, uno se encuentra consigo mismo, puede estar m\u00e1s consciente de su cuerpo<\/b> \u2013agrega-. Por eso pareci\u00f3 interesante enfrentarme a esa especie de aridez y hacer este objeto anal\u00f3gico y simple con alfombra de color rojo, que tiene las ondas m\u00e1s suaves\u201d.<\/p>\n

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Hay suavidad tambi\u00e9n en Tensi\u00f3n<\/i>, otra ambientaci\u00f3n realizada por el colectivo T.T.T.T (Trabajadoras de Tejido, T\u00e9cnica y Trampa)<\/b> con las ic\u00f3nicas m\u00e1quinas de tejer Knittax, fabricadas en la Argentina. Hay algo de Ernesto Neto<\/b><\/a> <\/b>y de las telas creadas por Tom\u00e1s Saraceno<\/b><\/a> <\/b>y las ara\u00f1as en esas estructuras de hilo de marroquiner\u00eda que cuelgan del techo, con contrapesos de porotos de soja<\/b> que se asemejan a \u201cpresas de una trampa\u201d<\/b>. <\/p>\n

\"En<\/p>\n

\u201cNo nos importa tanto lo que queda sino el modo de hacer, el modo de estar siempre en proceso trabajando<\/b> \u2013dice una de las cuatro integrantes del grupo sobre esta pieza en constante mutaci\u00f3n-. Pudimos conseguir cuatro m\u00e1quinas que se hac\u00edan en los a\u00f1os 60, 70 y 80 en Villa Martelli, y que usaban las amas de casa para tejer su\u00e9ters. Hubo mucha salida laboral de las mujeres en ese momento, a partir de esta mec\u00e1nica tan sutil y pr\u00e1ctica<\/b>\u201d.<\/p>\n

\"\u201cNo<\/p>\n

Igual de sutil es Corriente de fondo<\/i>, intervenci\u00f3n de Magdalena Molinari <\/b>en el \u00faltimo piso del edificio dise\u00f1ado por Clorindo Testa<\/b><\/a>. Los ladrillos de vidrio<\/b> que el artista y arquitecto coloc\u00f3 para se\u00f1alar el patio de la casona original funcionan ahora como p\u00edxeles de colores cambiantes<\/b> cuya progresi\u00f3n no se repite durante diez minutos, y juega con la luz del cielo que se ve desde la terraza. Igual que en la obra de Ballesteros, los tonos son rojos y el ritmo, lento. Para bajar, seg\u00fan la artista, \u201cel ritmo de la percepci\u00f3n. Detenernos y observar esos detalles que tienen que ver con el paso del tiempo\u201d.<\/b><\/p>\n

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Para agendar: <\/h2>\n

Unpunkt<\/i>, de Gabriel Valansi; Espejismo<\/i>, de Ernesto Ballesteros; Tensi\u00f3n<\/i>, del colectivo T.T.T.T y Corriente de fondo<\/i>, de Magdalena Molinari en Fundaci\u00f3n Andreani (Av. Pedro de Mendoza 1987). De mi\u00e9rcoles a domingos y feriados, de 13 a 19, con entrada gratis.<\/p>\n

\u200bTres muestras y una intervenci\u00f3n lum\u00ednica sorprenden a p\u00fablicos de todas las edades en Fundaci\u00f3n Andreani, en La Boca; Gabriel Valansi y Ernesto Ballesteros son dos de los protagonistas\u00a0\u00a0<\/p>","protected":false},"excerpt":{"rendered":"

\u201cEste es un proceso en tiempo real: lo que est\u00e1 pasando ac\u00e1 no es una…<\/p>\n","protected":false},"author":1,"featured_media":19610,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[89],"tags":[],"class_list":["post-19609","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-nacionales"],"yoast_head":"\nExperiencias inmersivas: tensi\u00f3n, espejismos y un retrato imposible en un recorrido gratuito -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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